THE CAROUSEL OF REPRESSION
Almost eight years after the arrests for Scripta Manent, for the second time the Court of Cassation, on 24th April 2024, will pronounce judgement on the crime of “political massacre”, pursuant to art. 285 c.p., against Alfredo and myself, the last remaining fragment pending in the process (i), after a whirlwind of delays, recalculations, and repressive-jurisprudential manipulations (ii).
Although the repetition of error numbs the horror, and we are living in times of multiple horrors flaunted and total anaesthetisations, I believe there are still some words to be said about the ongoing annihilation attempt, about reactions, successful and attempted. Not so much because I believe this may be useful for our personal fates, but out of a kind of stubborn “romanticism” that considers silence and resignation always and even more lethal in a political process.
Having no inclination to resign silently to the administration of “justice” (as it happens daily in the prisons) and nor to be restricted by the logic of damage limitation (another cornerstone of survival between prison and courts), but shifting the focus to the repressive policies underlying this and the actual capacity to react, to create moments of struggle and rupture, to build barriers, individual and collective, against the arrogance of repression.
Seven years ago, I thought it was possible to manage the Scripta Manent process as ordinary repression, countering from a technical perspective, point by point, both individual events and the entire associative framework, given the clear fragility of the accusatory structure. There was an excess of optimism about the ongoing political will and strategies and an unforgivable shortsightedness in not immediately highlighting with greater force what was happening. It took the threat of 41bis and life imprisonment looming to focus eyes and attention.
Far from wanting to fall back into the rhetoric of “judicial error,” of excess, because from a jurisprudential and probative standpoint, that was precisely the fact that some mainstream media had to reluctantly admit (while others held firm on their sensationalism) in order to justify the anarchist under 41bis. They had to contextualise the events and the character with a certain embarrassment, and also place the heart of the State, its security – endangered precisely what characterises political massacre – within a couple of exploded bins at 3 a.m. on the perimeter walls of a barracks, while having to awkwardly sidestep the other script holes offered by DNAA and the Turin prosecutor’s office.
Far from a “judicial error” because this is a deliberate intent, with convergences between paper castles of the police headquarters and cages of cement over cement: the episodic component (the career of individual cops or magistrates, the media always ready to hype up the new danger, the crassest propaganda) is there, but it converges into a well-oiled machine that always needs new heads to be cut off and displayed on the ramparts of law and order. Sometimes the machine stalls… and it is the duty and pride of every anti-authoritarian to make it stall.
In these years of prison time and trials, I have had the opportunity to experience firsthand a series of logical and legal manipulations that I didn’t think could be possible to concentrate in a single operation, making me equally aware that it is the modus operandi in practice between public prosecutors and courts in the extension of “special” legislation, from “emergency” to “daily”, in the fields of anti-mafia and anti-terrorism: no longer an exception, but the usual management that the National Anti-Mafia Directorate applies and has been applying to cases involving organised crime extended to anarchists, and that the justice system in general applies to those segments of social opposition and non-conforming elements that are isolated and easily attackable, which still express, albeit in a rudimentary form, the need to reclaim the streets, the word, and the dignity of a non-negotiated opposition. A synergistic attack – fuelled by a political climate not just of a simple right-wing government but equivalent in the last “political” or “technical” governments that wanted to define themselves – against the irredeemable components for electoral purposes: in a general lowering of the bar for criminally punishable acts and the parallel increase in what can be sensationalised in the media, one can discern the strategies at work and the resistance to be opposed.
In this sense, I believe Juan’s (iii) writings in capturing the positive aspects, if not the need to put a stop to them, in addition to the necessary critical and self-critical questions of the movement, are clear. Continue reading “Italy: ‘The carousel of repression’ – Anna Beniamino”
Carlo Carrà, The Funeral of the Anarchist Galli, 1910-1911 (oil on canvas, 198.7×259.1 cm, currently at the Museum of Modern Art, New York).
